In musical terminology, the term " study " designates pieces to approach a specific problem : study for arpeggios, for the left-handed etc.  The question here is how to merge dancing footage with elements of fiction.  What is the right tone, the golden proportion to tell/dance the stories without resorting to techniques of a musical or a ballet ?  New ways of telling a story: this is, without a doubt, a critical challenge for dance today.  Twenty-one micro fictions by four Cie Michèle Anne De Mey dancers in witch the educational aspect of experimentation soon gives way to the pleasur of joyful poetics: an original blend of tender insolence and srtict elegance.